Visit to a Fishing Port – Part 2

My trip to Shelburne, Nova Scotia, last month started out in fog and rain (see my previous blog), but the weather eventually dried up enough to do some sightseeing. We were able to take a drive along the shore and I got some pictures typical of the East Coast.

Fish boats.

The Commercial Harbour in Shelburne.

The colours used on the fishing boats make for great images.

Fishing boats at dock.

Fishing boats at the dock.

Narrowing in on smaller details can give you some good shots, too.

The fronts of 3 colourful boats reflected in the water.

Colourful details are everywhere.

But things don’t last forever, and in a place as old as Shelburne (over 200 years), there are opportunities for pictures that show the harshness of life on the coast. The boat in the following image still had its colourful paint on it, but, when combined with the dead tree in the foreground, I thought it looked better in black and white.

Balck and white image of an abandoned boat lying on it side on shore.

Life is Over.

And, of course, you can’t go to the “South Shore” of Nova Scotia without taking a picture or two of lighthouses. In this one, I purposely enhanced the foggy effect by increasing the grain in the post-processing and modifying the colours to be more in the brown tones.

Grainy picture of a lighthouse.

Lighthouse in the channel of Shelburne Harbour.

On our way back to the airport, we stopped in briefly at Peggy’s Cove. But it was a warm, sunny, Sunday afternoon and the parking lots were full, there were 5 tour buses already there, and 3 more arrived while we walked around. These are not what I consider ideal conditions for taking my style of pictures. However, I didn’t have much choice, so, with the help of a polarizing filter and a careful choice of subject matter, I tried for a couple of reasonable pictures.

The first one is a composite shot of the coastline looking towards the lighthouse. The little bumps on either side of the lighthouse are some of the other people visiting the site.

Blue water and a rocky shore with the Peggy's Cove Lighthouse in the background.

Rocky coastline at Peggy's Cove.

In this picture, I narrowed in a a portion of the small harbour. To take the edge off the harsh lighting conditions, I pulled the Clarity slider (in Lightroom) well to the left, which softens the edges of everything and gives the image a more “dreamy” look.

Boats at dock in Peggy's Cove.

Dreamy image of boats at dock in Peggy's Cove.

When you are on a trip, you can’t control the weather, or often even the time of day, so you need to focus on the images that are best suited for the conditions at hand.

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A Visit to a Fishing Port – Part 1

Last month, my wife and I flew to Nova Scotia to visit my father and his wife on the occasion of his 87th birthday. He lives in the port-town of Shelburne, about a two and a half hours drive south-west of Halifax. We spent an unpleasant time driving in alternating driving rain then fog through miles of dark forests at night. The fog and rain stayed with us for the first two days. My wife, who had never been to Shelburne, didn’t really know what the town looked like for the first day. But, while rain and fog make for unpleasant sightseeing, they do offer possibilities to the photographer. I was out the first morning before sunrise to get some pictures.

Before I go any further, I must admit to an error in judgment. I have a particular tripod that I take with me on trips because it is short enough to fit in my carry-on luggage. I packed it without thoroughly inspecting it. So, when I got it out to use on that first morning, I discovered that the quick-release pad was missing, so there was no way to attach the tripod to the camera. Lesson learned!! Make no assumptions, always inspect your equipment before leaving home.

The town of Shelburne has done a wonderful job of preserving the 200 year old buildings along the water front. In fact many of the larger buildings are actually part of their museum complex, while, most of the homes have become coffee shops, boutiques and bed and breakfasts.

Foggy street with orange coloured lamps and old buildings.

Early morning fog on Water Street.

Without the tripod, I found myself shooting at higher ISO speeds and bracing myself or the camera against structures. Luckily, the fog tends to hide the noise associated with higher ISO speeds.

Building with an orange coloured dory (boat) beside it.

The Dory Shop

The fog also makes for wonderfully saturated colours, and the people of Shelbourne, and many of the fishing villages along the coast, were not afraid to use colour on their homes.

Colourful building.

A more subdued colour scheme.

The early morning calm meant that the water was very smooth. This lent itself to some great reflections.The following image is a panorama, made up of 3 separate images.

Building being reflected in the calm water.

The Seadog Saloon, Shelburne, Nova Scotia.

The town also has its share of docks and piers. Getting out on them gives a good view back at the town and waterfront.

Buildings in the fog.

Memorial to Sailors Lost at Sea

There are so many well preserved buildings in Shelburne that it has been used in a number of Hollywood movies (i.e. The Scarlett Letter (1995) ). In 2009, filming for portions of the 2-part TV miniseries Moby Dick was carried out in Shelburne.

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Event Photography 2

In my last blog I talked about trying to get every activity recorded at a 3-day fair. Besides just getting some pictures, we were trying to take flattering portraits of the competitors, that they or their family might want to buy.

Lighting conditions changed dramatically during the 3 days. The first day was overcast, then the sun came out. Some events were shot in the early morning light, while others had to be shot in the noon-time sun, and then, of course, there were the nighttime events lit up by big floodlights.

Motorcycle jumper landing on a ramp.

Difficult lighting conditions.

The Livestock arena was even more challenging, with poor interior lighting, green fiberglass “windows”, and big doors providing very directional light. The most difficult time in the Livestock building was in the evening when the light came streaming through the big west-facing doors.

Girl displaying her calf.

Evening sunlight through open doors.

Most times I used a flash unit (with a diffuser) to add extra light indoors. However, during the midday, I could use my 50 mm f1.8 lens to take pictures in natural light.

The best pictures are the ones showing the faces of the competitors (which for legal reasons I don’t use in this blog), therefore, we spent a lot of time and energy positioning ourselves to get the best shots. Sometimes this was from up in the stands, sometimes from the bottom rung of the fence, and sometimes I used a ladder to get over the heads of spectators. (Doesn’t everyone carry a ladder in the car??)

The photographer standing on a ladder.

Using a ladder to get the better shot.

One technique, that my wife used successfully, was simply to ask the competitors to pose with their ribbons. They had just won their events and were happy and proud to show off their prizes, so the pictures looked great.

Boy holds up first place ribbon in the rabbit competition.

Posing the winner. (Partial picture)

This 3-day marathon was challenging and exhausting, but fun and rewarding.

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